023ad63c |
1 | <?xml version="1.0" encoding="utf-8" ?> |
2 | <!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" |
3 | "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> |
4 | <html xmlns="http://www.w3.org/1999/xhtml"> |
5 | <head> |
6 | <title>A Not So Fancy Listing of Books</title> |
7 | <meta name="generator" content="muse.el" /> |
8 | <meta http-equiv="Content-Type" |
9 | content="text/html; charset=utf-8" /> |
10 | <link rel="stylesheet" href="default.css" media="screen" /> |
11 | </head> |
12 | <body> |
13 | <h1>A Not So Fancy Listing of Books</h1> |
14 | <div class="contents"> |
15 | <dl> |
16 | <dt> |
17 | <a href="#sec1">Marcus Aurelius</a> |
18 | </dt> |
19 | <dd> |
20 | <dl> |
21 | <dt> |
22 | <a href="#sec2">Meditations</a> |
23 | </dt> |
24 | </dl> |
25 | </dd> |
26 | <dt> |
27 | <a href="#sec3">William Blake</a> |
28 | </dt> |
29 | <dd> |
30 | <dl> |
31 | <dt> |
32 | <a href="#sec4">The Four Zoas</a> |
33 | </dt> |
34 | <dt> |
35 | <a href="#sec5">Jerusalem</a> |
36 | </dt> |
37 | </dl> |
38 | </dd> |
39 | <dt> |
40 | <a href="#sec6">John Taylor Gatto</a> |
41 | </dt> |
42 | <dd> |
43 | <dl> |
44 | <dt> |
45 | <a href="#sec7">Underground History of American Education</a> |
46 | </dt> |
47 | </dl> |
48 | </dd> |
49 | <dt> |
50 | <a href="#sec8">Kahlil Gibran</a> |
51 | </dt> |
52 | <dd> |
53 | <dl> |
54 | <dt> |
55 | <a href="#sec9">A Tear and a Smile</a> |
56 | </dt> |
57 | <dt> |
58 | <a href="#sec10">The Prophet</a> |
59 | </dt> |
60 | <dt> |
61 | <a href="#sec11">Sand and Foam</a> |
62 | </dt> |
63 | <dt> |
64 | <a href="#sec12">The Madman</a> |
65 | </dt> |
66 | </dl> |
67 | </dd> |
68 | <dt> |
69 | <a href="#sec13">William James</a> |
70 | </dt> |
71 | <dd> |
72 | <dl> |
73 | <dt> |
74 | <a href="#sec14">The Varieties of Religious Experience</a> |
75 | </dt> |
5e4e370e |
76 | <dt> |
77 | <a href="#sec15">The PhD Octopus</a> |
78 | </dt> |
79 | </dl> |
80 | </dd> |
81 | <dt> |
82 | <a href="#sec16">Henry James</a> |
83 | </dt> |
84 | <dd> |
85 | <dl> |
86 | <dt> |
87 | <a href="#sec17">The Altar of the Dead</a> |
88 | </dt> |
023ad63c |
89 | </dl> |
90 | </dd> |
91 | <dt> |
5e4e370e |
92 | <a href="#sec18">Gregor Kiczales</a> |
023ad63c |
93 | </dt> |
94 | <dd> |
95 | <dl> |
96 | <dt> |
5e4e370e |
97 | <a href="#sec19">The Art of the Metaobject Protocol</a> |
023ad63c |
98 | </dt> |
99 | </dl> |
100 | </dd> |
101 | <dt> |
5e4e370e |
102 | <a href="#sec20">Søren Kierkegaard</a> |
023ad63c |
103 | </dt> |
104 | <dd> |
105 | <dl> |
106 | <dt> |
5e4e370e |
107 | <a href="#sec21">Sickness Unto Death</a> |
023ad63c |
108 | </dt> |
109 | <dt> |
5e4e370e |
110 | <a href="#sec22">Either/Or</a> |
023ad63c |
111 | </dt> |
112 | </dl> |
113 | </dd> |
114 | <dt> |
5e4e370e |
115 | <a href="#sec23">Thomas More</a> |
023ad63c |
116 | </dt> |
117 | <dd> |
118 | <dl> |
119 | <dt> |
5e4e370e |
120 | <a href="#sec24">Utopia</a> |
023ad63c |
121 | </dt> |
122 | </dl> |
123 | </dd> |
124 | <dt> |
5e4e370e |
125 | <a href="#sec25">Friedrich Nietzsche</a> |
023ad63c |
126 | </dt> |
127 | <dd> |
128 | <dl> |
129 | <dt> |
5e4e370e |
130 | <a href="#sec26">Beyond Good and Evil</a> |
04cda6d1 |
131 | </dt> |
132 | <dt> |
5e4e370e |
133 | <a href="#sec27">On the Geneaology of Morals</a> |
023ad63c |
134 | </dt> |
b61362db |
135 | <dt> |
136 | <a href="#sec28">Ecce Homo</a> |
137 | </dt> |
023ad63c |
138 | </dl> |
139 | </dd> |
140 | <dt> |
b61362db |
141 | <a href="#sec29">Luke Rhinehardt</a> |
023ad63c |
142 | </dt> |
143 | <dd> |
144 | <dl> |
145 | <dt> |
b61362db |
146 | <a href="#sec30">The Dice Man</a> |
023ad63c |
147 | </dt> |
04cda6d1 |
148 | </dl> |
149 | </dd> |
023ad63c |
150 | <dt> |
b61362db |
151 | <a href="#sec31">Neal Stephenson</a> |
04cda6d1 |
152 | </dt> |
153 | <dd> |
154 | <dl> |
155 | <dt> |
b61362db |
156 | <a href="#sec32">Snow Crash</a> |
04cda6d1 |
157 | </dt> |
158 | <dt> |
b61362db |
159 | <a href="#sec33">Cryptonomicon</a> |
023ad63c |
160 | </dt> |
161 | </dl> |
162 | </dd> |
163 | </dl> |
164 | </div> |
165 | |
166 | |
167 | <!-- Page published by Emacs Muse begins here --><h2><a name="sec1" id="sec1"></a> |
168 | Marcus Aurelius</h2> |
169 | |
170 | |
171 | |
172 | <h3><a name="sec2" id="sec2"></a> |
173 | Meditations</h3> |
174 | |
175 | <p><em>Rating:</em> <span class="rating-good">••••••</span><span class="rating-bad">••••</span> (6) / <em>Nonfiction</em></p> |
176 | |
177 | <p>I enjoyed reading this collection of meditations on Stoic |
178 | philosophy. It is a fairly quick read; I read each of the twelve books |
179 | before sleeping over the course of two weeks. Toward the end of the |
180 | collection things get a bit topically repetetive (e.g. acting |
181 | according to the nature of man is reflected upon over and over), but |
182 | each repetition looks at the topic in a slightly different light. A |
183 | number of passages I found quite inspiring, and scratched them down in |
184 | my notebook to ponder further.</p> |
185 | |
186 | |
187 | |
188 | <h2><a name="sec3" id="sec3"></a> |
189 | William Blake</h2> |
190 | |
92ffc65b |
191 | <p class="first">Blake is my <a href="William%20Blake.html">favorite</a> of the English poets. His |
192 | unique use of relief etching and watercoloring makes for very |
193 | interesting Illuminated works. There is a very high quality |
023ad63c |
194 | <a href="http://blakearchive.org">complete archive of Blake's works</a> online |
195 | with high resolution plate scans and full transcriptions among other |
196 | things.</p> |
197 | |
198 | <h3><a name="sec4" id="sec4"></a> |
199 | The Four Zoas</h3> |
200 | |
201 | <p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Fiction</em></p> |
202 | |
203 | <p>The unfinished manuscript of Blake's longest apocalypse. The |
204 | Four Zoas divide from Albion and rage through the ages of dismal woe |
205 | to bring about the end of the cycle of Ulro and restore the cycle of |
206 | Beulah.</p> |
207 | |
208 | |
209 | <h3><a name="sec5" id="sec5"></a> |
210 | Jerusalem</h3> |
211 | |
212 | <p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Fiction</em></p> |
213 | |
214 | <p>The finest of Blake's Illuminated works.</p> |
215 | |
216 | |
217 | |
218 | <h2><a name="sec6" id="sec6"></a> |
219 | John Taylor Gatto</h2> |
220 | |
221 | <p class="first">Former teacher and now author-activist.</p> |
222 | |
223 | <h3><a name="sec7" id="sec7"></a> |
224 | Underground History of American Education</h3> |
225 | |
226 | <p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Nonfiction</em></p> |
227 | |
228 | <p>An interesting <em>underground</em> history of the American education |
04cda6d1 |
229 | system. Available |
230 | <a href="http://www.johntaylorgatto.com/underground/">online for free</a>.</p> |
023ad63c |
231 | |
232 | |
233 | |
234 | <h2><a name="sec8" id="sec8"></a> |
235 | Kahlil Gibran</h2> |
236 | |
237 | <p class="first">Kahlil Gibran is fairly interesting; his earlier works do not |
238 | agree with my æsthetic sense (blah blah), but <em>The Madman</em> onward are |
239 | all rather nice. A few of his works are |
240 | <a href="http://leb.net/~mira/">online</a>, but I recommend scouting used book |
241 | stores for old hardcover editions. The (late 90s onward at least) |
242 | <em>hardcover</em> versions from <em>Alfred A. Knopf</em> are in fact permabound |
243 | paperbacks with a hardcasing, and are of seriously inferior quality to |
244 | the editions from the 50s and 60s (and cost quite a bit more, |
245 | naturally).</p> |
246 | |
247 | <h3><a name="sec9" id="sec9"></a> |
248 | A Tear and a Smile</h3> |
249 | |
250 | <p><em>Rating:</em> <span class="rating-good">•••</span><span class="rating-bad">•••••••</span> (3) / <em>Fiction</em></p> |
251 | |
252 | <p>One of Kahlil Gibran's earlier works, I did not much like <em>A |
253 | Tear and a Smile</em> excepting the last poem ("A Poet's Voice").</p> |
254 | |
255 | |
256 | <h3><a name="sec10" id="sec10"></a> |
257 | The Prophet</h3> |
258 | |
259 | <p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Fiction</em></p> |
260 | |
261 | |
262 | |
263 | |
264 | <h3><a name="sec11" id="sec11"></a> |
265 | Sand and Foam</h3> |
266 | |
267 | <p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p> |
268 | |
269 | <p>An interesting little book of aphorisms.</p> |
270 | |
271 | |
272 | <h3><a name="sec12" id="sec12"></a> |
273 | The Madman</h3> |
274 | |
275 | <p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Fiction</em></p> |
276 | |
277 | |
278 | |
279 | |
280 | |
281 | <h2><a name="sec13" id="sec13"></a> |
282 | William James</h2> |
283 | |
284 | |
285 | |
286 | <h3><a name="sec14" id="sec14"></a> |
287 | The Varieties of Religious Experience</h3> |
288 | |
289 | <p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Nonfiction</em></p> |
290 | |
291 | <p><a href="William%20James%20-%20The%20Varieties%20of%20Religious%20Experience.html">A partially finished extended summary</a></p> |
292 | |
293 | |
5e4e370e |
294 | <h3><a name="sec15" id="sec15"></a> |
295 | The PhD Octopus</h3> |
296 | |
297 | <p><em>Nonfiction</em></p> |
298 | |
299 | <blockquote> |
300 | <p class="quoted"> |
301 | America is thus as a nation rapidly drifting towards a state of things |
302 | in which no man of science or letters will be accounted respectable |
303 | unless some kind of badge or diploma is stamped upon him, and in which |
304 | bare personality will be a mark of outcast estate. It seems to me high |
305 | time to rouse ourselves to consciousness, and to cast a critical eye |
306 | upon this decidedly grotesque tendency. Other nations suffer terribly |
307 | from the Mandarin disease. Are we doomed to suffer like the rest?</p> |
308 | |
309 | </blockquote> |
b61362db |
310 | |
311 | <p><a href="William%20James%20-%20The%20PhD%20Octopus.html">Full Text</a></p> |
5e4e370e |
312 | |
313 | |
314 | |
315 | <h2><a name="sec16" id="sec16"></a> |
316 | Henry James</h2> |
317 | |
318 | <p class="first">The novelist brother of William James; I've not read many (read: |
319 | one) of his books, but what I did was decent.</p> |
023ad63c |
320 | |
5e4e370e |
321 | <h3><a name="sec17" id="sec17"></a> |
322 | The Altar of the Dead</h3> |
323 | |
324 | <p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p> |
325 | |
326 | <p>A short novella about a man who maintained an altar in a church |
327 | for all of his lost loved ones on the surface, but something a bit |
328 | more beneath.</p> |
329 | |
330 | |
331 | |
332 | <h2><a name="sec18" id="sec18"></a> |
023ad63c |
333 | Gregor Kiczales</h2> |
334 | |
335 | |
336 | |
5e4e370e |
337 | <h3><a name="sec19" id="sec19"></a> |
023ad63c |
338 | The Art of the Metaobject Protocol</h3> |
339 | |
340 | <p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p> |
341 | |
342 | <p>AMOP is useful as a reference to the CLOS MOP (although less so with |
343 | the online MOP spec), but the true value of the book lies in the first |
344 | half of the book. It presents the design of the CLOS MOP through a |
345 | series of revisions that fix limitations of earlier implementations |
346 | and gradually work toward a generic and well designed MOP for |
347 | CLOS. Through that process one is made more aware of a few general |
348 | object protocol design skills, and gains insight into how to cleanly |
349 | make mapping decisions customizable.</p> |
350 | |
351 | |
352 | |
5e4e370e |
353 | <h2><a name="sec20" id="sec20"></a> |
023ad63c |
354 | Søren Kierkegaard</h2> |
355 | |
356 | <p class="first">Kierkegaard was a master of style and philosophy; his writing is |
357 | interesting even if one finds the theistic extentialism espoused |
358 | disagreeable.</p> |
359 | |
5e4e370e |
360 | <h3><a name="sec21" id="sec21"></a> |
023ad63c |
361 | Sickness Unto Death</h3> |
362 | |
363 | <p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p> |
364 | |
365 | <p>I purchased this when I was looking through books at a store after |
366 | being unable to find the book I really wanted, and I must say that it |
367 | was better for me to have found this one.</p> |
368 | |
369 | <p>Contained within is a beautiful analysis of despair in the context of |
370 | Christianity (really theism in general). Even if the argument offends, |
371 | the presentation cannot. The dialectical nature of despair is |
372 | reflected in every aspect of the work, and the method of presentation |
373 | forces reflection.</p> |
374 | |
375 | |
5e4e370e |
376 | <h3><a name="sec22" id="sec22"></a> |
023ad63c |
377 | Either/Or</h3> |
378 | |
379 | <p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p> |
380 | |
381 | <p>Composed of two portions, <em>Either/Or</em> is a rather lengthy but |
382 | rewarding read. The first book is a series of essays and a diary of a |
383 | young esthetician; the second is a pair of long letters from an older |
384 | ethicist friend to this esthetician. You are then left to resolve the |
385 | conflict between the views.</p> |
386 | |
387 | |
388 | |
5e4e370e |
389 | <h2><a name="sec23" id="sec23"></a> |
023ad63c |
390 | Thomas More</h2> |
391 | |
392 | |
393 | |
5e4e370e |
394 | <h3><a name="sec24" id="sec24"></a> |
023ad63c |
395 | Utopia</h3> |
396 | |
397 | <p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p> |
398 | |
399 | <p>I read most of Utopia in high school with the TI-89 ebook reader, but |
400 | the way the book was split up made it a bit difficult to grasp the |
401 | overall structure. I found a copy at a used book store one day, and so |
402 | I read it again, and found it much more comprehensible. It is a quick |
403 | read, and decent piece of literature. The interesting social system |
404 | espoused resembles resembles state communism (even if perhaps as a |
405 | negative ideal), but with an strange blend of 14th century European |
406 | social customs.</p> |
407 | |
408 | |
409 | |
5e4e370e |
410 | <h2><a name="sec25" id="sec25"></a> |
04cda6d1 |
411 | Friedrich Nietzsche</h2> |
412 | |
413 | <p class="first">A bit acerbic and esoteric, Nietzsche is for me a good <em>secular</em> |
414 | counterpart to Kierkegaard's theistic philosophy. Nietzsche's |
415 | polemical works raise important questions for anyone who reads works |
416 | on ethics. As such it is a shame that he has gotten a bad reputation |
417 | by being read by far too many angsty teenagers who see (and relay) |
418 | only Nietzsche the asshole rather than Nietzsche the master of the |
419 | polemic.</p> |
420 | |
5e4e370e |
421 | <h3><a name="sec26" id="sec26"></a> |
04cda6d1 |
422 | Beyond Good and Evil</h3> |
423 | |
424 | <p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Nonfiction</em></p> |
425 | |
426 | <p>A somewhat more comprehensible, if a bit less aesthetically |
427 | pleasing, presentation of much of the philosophy found in <em>Thus Spoke |
b61362db |
428 | Zarathustra</em> in the negative form. The final chapters are very |
429 | important (not to detract from the value of the rest of the work) if |
430 | one wishes to understand <em>On the Genealogy of Morals</em>.</p> |
04cda6d1 |
431 | |
432 | |
5e4e370e |
433 | <h3><a name="sec27" id="sec27"></a> |
04cda6d1 |
434 | On the Geneaology of Morals</h3> |
435 | |
436 | <p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Nonfiction</em></p> |
437 | |
438 | <p><em>On the Geneaology of Morals</em> is a wonderful book of three |
439 | polemical essays on the origin of moral/ethic valuations, and the |
440 | blindness of modern philosphers whose very thinking is tainted by |
441 | these valuations unknowingly.</p> |
442 | |
443 | |
b61362db |
444 | <h3><a name="sec28" id="sec28"></a> |
445 | Ecce Homo</h3> |
446 | |
447 | <p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Nonfiction</em></p> |
448 | |
449 | <p><em>Ecce Homo</em> is Nietzsche's very strange autobiography and |
450 | explanation of his own works. At points it is clear that it could have |
451 | used a bit more editing (prevented by Nietzsche ... falling into a |
452 | catatonic state and all), but is still a very useful book to read as |
453 | Nietzsche explains the overall structure of his works.</p> |
454 | |
455 | |
04cda6d1 |
456 | |
b61362db |
457 | <h2><a name="sec29" id="sec29"></a> |
023ad63c |
458 | Luke Rhinehardt</h2> |
459 | |
460 | |
461 | |
b61362db |
462 | <h3><a name="sec30" id="sec30"></a> |
023ad63c |
463 | The Dice Man</h3> |
464 | |
465 | <p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p> |
466 | |
467 | <blockquote> |
468 | <p class="quoted"> |
469 | And it's his illusions about what |
470 | constitutes the real world which are |
471 | inhibiting him... |
472 | His reality, his reason, his society |
473 | ...these are what must be destroyed</p> |
474 | |
475 | </blockquote> |
476 | |
477 | <p>A quotation from one of my <a href="http://en.wikipedia.org/wiki/Slaughter_of_the_Soul">favorite metal songs</a> inspired me to grab |
478 | this book; at worst it would be a waste of time. Much reward was found |
479 | in this random stab in the dark. The book is framed as an |
480 | autobiography of the author as a psychoanalyst, and his progression |
481 | through life as a Dice Man after deciding to live his life through |
482 | random chance.</p> |
483 | |
484 | <p>The style, plot, and content are equally neurotic; part comedy, part |
485 | attack on psychoanalysis, and part deep philosophy. It was often |
486 | difficult to put down, and was read in under a week of spare time.</p> |
487 | |
488 | |
489 | |
b61362db |
490 | <h2><a name="sec31" id="sec31"></a> |
023ad63c |
491 | Neal Stephenson</h2> |
492 | |
493 | |
494 | |
b61362db |
495 | <h3><a name="sec32" id="sec32"></a> |
023ad63c |
496 | Snow Crash</h3> |
497 | |
498 | <p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Fiction</em></p> |
499 | |
500 | <p>As one must read the <em>Bible</em> to understand English literature, so one |
501 | must read <em>Snow Crash</em> today to be a nerd. In the realm of modern pop |
502 | fiction this is one of the better books I've read; it was devoured in |
503 | a mere four nights. Neal Stepheson may not be Milton, but he does come |
504 | up with enganging tales. <em>Snow Crash</em> has a nice undertone of (quite |
505 | accurate) political and social commentary that makes it worth reading |
506 | as more than mere cyberpunk fiction.</p> |
507 | |
508 | |
b61362db |
509 | <h3><a name="sec33" id="sec33"></a> |
023ad63c |
510 | Cryptonomicon</h3> |
511 | |
512 | <p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Fiction</em></p> |
513 | |
514 | <p>I read <em>Cryptonomicon</em> when it was new, and at the time I thought it was |
515 | good. It could have lost a hundred or so pages without detracting from |
516 | the plot, but it was easy reading and didn't take very long to |
517 | finish. The story was enganging, and the continual switching between |
518 | the 1940s and present day slowly unravelled the tale in a nice way.</p> |
519 | |
520 | <p>I'd still have to recommend <em>Snow Crash</em> if one wished to read only one |
521 | Stephenson novel.</p> |
522 | |
523 | |
524 | |
525 | <!-- Page published by Emacs Muse ends here --> |
526 | |
527 | <p class="cke-buttons"> |
528 | <!-- validating badges, any browser, etc --> |
529 | <a href="http://validator.w3.org/check/referer"><img |
530 | src="http://www.w3.org/Icons/valid-xhtml10" |
531 | alt="Valid XHTML 1.0!" /></a> |
532 | |
533 | <a href="http://www.anybrowser.org/campaign/"><img |
534 | src="img/buttons/w3c_ab.png" alt="[ Viewable With Any Browser |
535 | ]" /></a> |
536 | |
537 | <a href="http://www.debian.org/"><img |
538 | src="img/buttons/debian.png" alt="[ Powered by Debian ]" /></a> |
539 | |
540 | <a href="http://hcoop.net/"> |
541 | <img src="img/buttons/hcoop.png" |
542 | alt="[ Hosted by HCoop]" /> |
543 | </a> |
544 | |
545 | <a href="http://www.fsf.org/register_form?referrer=114"> |
546 | <img src="img/buttons/fsf_member.png" |
547 | alt="[ FSF Associate Member ]" /> |
548 | </a> |
549 | </p> |
550 | |
b61362db |
551 | <p class="cke-footer"> So play today |
552 | Go make your hay beneath a warm sun shining |
553 | But bear in mind one day you'll find the silver cloud's dark lining |
023ad63c |
554 | </p> |
555 | <p class="cke-timestamp">Last Modified: |
b61362db |
556 | September 23, 2008</p> |
023ad63c |
557 | </body> |
558 | </html> |