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13 <h1>A Not So Fancy Listing of Books</h1>
14 <div class="contents">
15<dl>
16<dt>
17<a href="#sec1">Marcus Aurelius</a>
18</dt>
19<dd>
20<dl>
21<dt>
22<a href="#sec2">Meditations</a>
23</dt>
24</dl>
25</dd>
26<dt>
27<a href="#sec3">William Blake</a>
28</dt>
29<dd>
30<dl>
31<dt>
32<a href="#sec4">The Four Zoas</a>
33</dt>
34<dt>
35<a href="#sec5">Jerusalem</a>
36</dt>
37</dl>
38</dd>
39<dt>
40<a href="#sec6">John Taylor Gatto</a>
41</dt>
42<dd>
43<dl>
44<dt>
45<a href="#sec7">Underground History of American Education</a>
46</dt>
47</dl>
48</dd>
49<dt>
50<a href="#sec8">Kahlil Gibran</a>
51</dt>
52<dd>
53<dl>
54<dt>
55<a href="#sec9">A Tear and a Smile</a>
56</dt>
57<dt>
58<a href="#sec10">The Prophet</a>
59</dt>
60<dt>
61<a href="#sec11">Sand and Foam</a>
62</dt>
63<dt>
64<a href="#sec12">The Madman</a>
65</dt>
66</dl>
67</dd>
68<dt>
69<a href="#sec13">William James</a>
70</dt>
71<dd>
72<dl>
73<dt>
74<a href="#sec14">The Varieties of Religious Experience</a>
75</dt>
5e4e370e 76<dt>
77<a href="#sec15">The PhD Octopus</a>
78</dt>
79</dl>
80</dd>
81<dt>
82<a href="#sec16">Henry James</a>
83</dt>
84<dd>
85<dl>
86<dt>
87<a href="#sec17">The Altar of the Dead</a>
88</dt>
023ad63c 89</dl>
90</dd>
91<dt>
5e4e370e 92<a href="#sec18">Gregor Kiczales</a>
023ad63c 93</dt>
94<dd>
95<dl>
96<dt>
5e4e370e 97<a href="#sec19">The Art of the Metaobject Protocol</a>
023ad63c 98</dt>
99</dl>
100</dd>
101<dt>
5e4e370e 102<a href="#sec20">Søren Kierkegaard</a>
023ad63c 103</dt>
104<dd>
105<dl>
106<dt>
5e4e370e 107<a href="#sec21">Sickness Unto Death</a>
023ad63c 108</dt>
109<dt>
5e4e370e 110<a href="#sec22">Either/Or</a>
023ad63c 111</dt>
112</dl>
113</dd>
114<dt>
5e4e370e 115<a href="#sec23">Thomas More</a>
023ad63c 116</dt>
117<dd>
118<dl>
119<dt>
5e4e370e 120<a href="#sec24">Utopia</a>
023ad63c 121</dt>
122</dl>
123</dd>
124<dt>
5e4e370e 125<a href="#sec25">Friedrich Nietzsche</a>
023ad63c 126</dt>
127<dd>
128<dl>
129<dt>
5e4e370e 130<a href="#sec26">Beyond Good and Evil</a>
04cda6d1 131</dt>
132<dt>
5e4e370e 133<a href="#sec27">On the Geneaology of Morals</a>
023ad63c 134</dt>
b61362db 135<dt>
136<a href="#sec28">Ecce Homo</a>
137</dt>
023ad63c 138</dl>
139</dd>
140<dt>
b61362db 141<a href="#sec29">Luke Rhinehardt</a>
023ad63c 142</dt>
143<dd>
144<dl>
145<dt>
b61362db 146<a href="#sec30">The Dice Man</a>
023ad63c 147</dt>
04cda6d1 148</dl>
149</dd>
023ad63c 150<dt>
b61362db 151<a href="#sec31">Neal Stephenson</a>
04cda6d1 152</dt>
153<dd>
154<dl>
155<dt>
b61362db 156<a href="#sec32">Snow Crash</a>
04cda6d1 157</dt>
158<dt>
b61362db 159<a href="#sec33">Cryptonomicon</a>
023ad63c 160</dt>
161</dl>
162</dd>
163</dl>
164</div>
165
166
167<!-- Page published by Emacs Muse begins here --><h2><a name="sec1" id="sec1"></a>
168Marcus Aurelius</h2>
169
170
171
172<h3><a name="sec2" id="sec2"></a>
173Meditations</h3>
174
175<p><em>Rating:</em> <span class="rating-good">••••••</span><span class="rating-bad">••••</span> (6) / <em>Nonfiction</em></p>
176
177<p>I enjoyed reading this collection of meditations on Stoic
178philosophy. It is a fairly quick read; I read each of the twelve books
179before sleeping over the course of two weeks. Toward the end of the
180collection things get a bit topically repetetive (e.g. acting
181according to the nature of man is reflected upon over and over), but
182each repetition looks at the topic in a slightly different light. A
183number of passages I found quite inspiring, and scratched them down in
184my notebook to ponder further.</p>
185
186
187
188<h2><a name="sec3" id="sec3"></a>
189William Blake</h2>
190
92ffc65b 191<p class="first">Blake is my <a href="William%20Blake.html">favorite</a> of the English poets. His
192unique use of relief etching and watercoloring makes for very
193interesting Illuminated works. There is a very high quality
023ad63c 194<a href="http://blakearchive.org">complete archive of Blake's works</a> online
195with high resolution plate scans and full transcriptions among other
196things.</p>
197
198<h3><a name="sec4" id="sec4"></a>
199The Four Zoas</h3>
200
201<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Fiction</em></p>
202
203<p>The unfinished manuscript of Blake's longest apocalypse. The
204Four Zoas divide from Albion and rage through the ages of dismal woe
205to bring about the end of the cycle of Ulro and restore the cycle of
206Beulah.</p>
207
208
209<h3><a name="sec5" id="sec5"></a>
210Jerusalem</h3>
211
212<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Fiction</em></p>
213
214<p>The finest of Blake's Illuminated works.</p>
215
216
217
218<h2><a name="sec6" id="sec6"></a>
219John Taylor Gatto</h2>
220
221<p class="first">Former teacher and now author-activist.</p>
222
223<h3><a name="sec7" id="sec7"></a>
224Underground History of American Education</h3>
225
226<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Nonfiction</em></p>
227
228<p>An interesting <em>underground</em> history of the American education
04cda6d1 229system. Available
230<a href="http://www.johntaylorgatto.com/underground/">online for free</a>.</p>
023ad63c 231
232
233
234<h2><a name="sec8" id="sec8"></a>
235Kahlil Gibran</h2>
236
237<p class="first">Kahlil Gibran is fairly interesting; his earlier works do not
238agree with my æsthetic sense (blah blah), but <em>The Madman</em> onward are
239all rather nice. A few of his works are
240<a href="http://leb.net/~mira/">online</a>, but I recommend scouting used book
241stores for old hardcover editions. The (late 90s onward at least)
242<em>hardcover</em> versions from <em>Alfred A. Knopf</em> are in fact permabound
243paperbacks with a hardcasing, and are of seriously inferior quality to
244the editions from the 50s and 60s (and cost quite a bit more,
245naturally).</p>
246
247<h3><a name="sec9" id="sec9"></a>
248A Tear and a Smile</h3>
249
250<p><em>Rating:</em> <span class="rating-good">•••</span><span class="rating-bad">•••••••</span> (3) / <em>Fiction</em></p>
251
252<p>One of Kahlil Gibran's earlier works, I did not much like <em>A
253Tear and a Smile</em> excepting the last poem (&quot;A Poet's Voice&quot;).</p>
254
255
256<h3><a name="sec10" id="sec10"></a>
257The Prophet</h3>
258
259<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Fiction</em></p>
260
261
262
263
264<h3><a name="sec11" id="sec11"></a>
265Sand and Foam</h3>
266
267<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
268
269<p>An interesting little book of aphorisms.</p>
270
271
272<h3><a name="sec12" id="sec12"></a>
273The Madman</h3>
274
275<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Fiction</em></p>
276
277
278
279
280
281<h2><a name="sec13" id="sec13"></a>
282William James</h2>
283
284
285
286<h3><a name="sec14" id="sec14"></a>
287The Varieties of Religious Experience</h3>
288
289<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Nonfiction</em></p>
290
291<p><a href="William%20James%20-%20The%20Varieties%20of%20Religious%20Experience.html">A partially finished extended summary</a></p>
292
293
5e4e370e 294<h3><a name="sec15" id="sec15"></a>
295The PhD Octopus</h3>
296
297<p><em>Nonfiction</em></p>
298
299<blockquote>
300<p class="quoted">
301America is thus as a nation rapidly drifting towards a state of things
302in which no man of science or letters will be accounted respectable
303unless some kind of badge or diploma is stamped upon him, and in which
304bare personality will be a mark of outcast estate. It seems to me high
305time to rouse ourselves to consciousness, and to cast a critical eye
306upon this decidedly grotesque tendency. Other nations suffer terribly
307from the Mandarin disease. Are we doomed to suffer like the rest?</p>
308
309</blockquote>
b61362db 310
311<p><a href="William%20James%20-%20The%20PhD%20Octopus.html">Full Text</a></p>
5e4e370e 312
313
314
315<h2><a name="sec16" id="sec16"></a>
316Henry James</h2>
317
318<p class="first">The novelist brother of William James; I've not read many (read:
319one) of his books, but what I did was decent.</p>
023ad63c 320
5e4e370e 321<h3><a name="sec17" id="sec17"></a>
322The Altar of the Dead</h3>
323
324<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
325
326<p>A short novella about a man who maintained an altar in a church
327for all of his lost loved ones on the surface, but something a bit
328more beneath.</p>
329
330
331
332<h2><a name="sec18" id="sec18"></a>
023ad63c 333Gregor Kiczales</h2>
334
335
336
5e4e370e 337<h3><a name="sec19" id="sec19"></a>
023ad63c 338The Art of the Metaobject Protocol</h3>
339
340<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p>
341
342<p>AMOP is useful as a reference to the CLOS MOP (although less so with
343the online MOP spec), but the true value of the book lies in the first
344half of the book. It presents the design of the CLOS MOP through a
345series of revisions that fix limitations of earlier implementations
346and gradually work toward a generic and well designed MOP for
347CLOS. Through that process one is made more aware of a few general
348object protocol design skills, and gains insight into how to cleanly
349make mapping decisions customizable.</p>
350
351
352
5e4e370e 353<h2><a name="sec20" id="sec20"></a>
023ad63c 354Søren Kierkegaard</h2>
355
356<p class="first">Kierkegaard was a master of style and philosophy; his writing is
357interesting even if one finds the theistic extentialism espoused
358disagreeable.</p>
359
5e4e370e 360<h3><a name="sec21" id="sec21"></a>
023ad63c 361Sickness Unto Death</h3>
362
363<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p>
364
365<p>I purchased this when I was looking through books at a store after
366being unable to find the book I really wanted, and I must say that it
367was better for me to have found this one.</p>
368
369<p>Contained within is a beautiful analysis of despair in the context of
370Christianity (really theism in general). Even if the argument offends,
371the presentation cannot. The dialectical nature of despair is
372reflected in every aspect of the work, and the method of presentation
373forces reflection.</p>
374
375
5e4e370e 376<h3><a name="sec22" id="sec22"></a>
023ad63c 377Either/Or</h3>
378
379<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p>
380
381<p>Composed of two portions, <em>Either/Or</em> is a rather lengthy but
382rewarding read. The first book is a series of essays and a diary of a
383young esthetician; the second is a pair of long letters from an older
384ethicist friend to this esthetician. You are then left to resolve the
385conflict between the views.</p>
386
387
388
5e4e370e 389<h2><a name="sec23" id="sec23"></a>
023ad63c 390Thomas More</h2>
391
392
393
5e4e370e 394<h3><a name="sec24" id="sec24"></a>
023ad63c 395Utopia</h3>
396
397<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
398
399<p>I read most of Utopia in high school with the TI-89 ebook reader, but
400the way the book was split up made it a bit difficult to grasp the
401overall structure. I found a copy at a used book store one day, and so
402I read it again, and found it much more comprehensible. It is a quick
403read, and decent piece of literature. The interesting social system
404espoused resembles resembles state communism (even if perhaps as a
405negative ideal), but with an strange blend of 14th century European
406social customs.</p>
407
408
409
5e4e370e 410<h2><a name="sec25" id="sec25"></a>
04cda6d1 411Friedrich Nietzsche</h2>
412
413<p class="first">A bit acerbic and esoteric, Nietzsche is for me a good <em>secular</em>
414counterpart to Kierkegaard's theistic philosophy. Nietzsche's
415polemical works raise important questions for anyone who reads works
416on ethics. As such it is a shame that he has gotten a bad reputation
417by being read by far too many angsty teenagers who see (and relay)
418only Nietzsche the asshole rather than Nietzsche the master of the
419polemic.</p>
420
5e4e370e 421<h3><a name="sec26" id="sec26"></a>
04cda6d1 422Beyond Good and Evil</h3>
423
424<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Nonfiction</em></p>
425
426<p>A somewhat more comprehensible, if a bit less aesthetically
427pleasing, presentation of much of the philosophy found in <em>Thus Spoke
b61362db 428Zarathustra</em> in the negative form. The final chapters are very
429important (not to detract from the value of the rest of the work) if
430one wishes to understand <em>On the Genealogy of Morals</em>.</p>
04cda6d1 431
432
5e4e370e 433<h3><a name="sec27" id="sec27"></a>
04cda6d1 434On the Geneaology of Morals</h3>
435
436<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Nonfiction</em></p>
437
438<p><em>On the Geneaology of Morals</em> is a wonderful book of three
439polemical essays on the origin of moral/ethic valuations, and the
440blindness of modern philosphers whose very thinking is tainted by
441these valuations unknowingly.</p>
442
443
b61362db 444<h3><a name="sec28" id="sec28"></a>
445Ecce Homo</h3>
446
447<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Nonfiction</em></p>
448
449<p><em>Ecce Homo</em> is Nietzsche's very strange autobiography and
450explanation of his own works. At points it is clear that it could have
451used a bit more editing (prevented by Nietzsche ... falling into a
452catatonic state and all), but is still a very useful book to read as
453Nietzsche explains the overall structure of his works.</p>
454
455
04cda6d1 456
b61362db 457<h2><a name="sec29" id="sec29"></a>
023ad63c 458Luke Rhinehardt</h2>
459
460
461
b61362db 462<h3><a name="sec30" id="sec30"></a>
023ad63c 463The Dice Man</h3>
464
465<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
466
467<blockquote>
468<p class="quoted">
469And it's his illusions about what
470constitutes the real world which are
471inhibiting him...
472His reality, his reason, his society
473...these are what must be destroyed</p>
474
475</blockquote>
476
477<p>A quotation from one of my <a href="http://en.wikipedia.org/wiki/Slaughter_of_the_Soul">favorite metal songs</a> inspired me to grab
478this book; at worst it would be a waste of time. Much reward was found
479in this random stab in the dark. The book is framed as an
480autobiography of the author as a psychoanalyst, and his progression
481through life as a Dice Man after deciding to live his life through
482random chance.</p>
483
484<p>The style, plot, and content are equally neurotic; part comedy, part
485attack on psychoanalysis, and part deep philosophy. It was often
486difficult to put down, and was read in under a week of spare time.</p>
487
488
489
b61362db 490<h2><a name="sec31" id="sec31"></a>
023ad63c 491Neal Stephenson</h2>
492
493
494
b61362db 495<h3><a name="sec32" id="sec32"></a>
023ad63c 496Snow Crash</h3>
497
498<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Fiction</em></p>
499
500<p>As one must read the <em>Bible</em> to understand English literature, so one
501must read <em>Snow Crash</em> today to be a nerd. In the realm of modern pop
502fiction this is one of the better books I've read; it was devoured in
503a mere four nights. Neal Stepheson may not be Milton, but he does come
504up with enganging tales. <em>Snow Crash</em> has a nice undertone of (quite
505accurate) political and social commentary that makes it worth reading
506as more than mere cyberpunk fiction.</p>
507
508
b61362db 509<h3><a name="sec33" id="sec33"></a>
023ad63c 510Cryptonomicon</h3>
511
512<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Fiction</em></p>
513
514<p>I read <em>Cryptonomicon</em> when it was new, and at the time I thought it was
515good. It could have lost a hundred or so pages without detracting from
516the plot, but it was easy reading and didn't take very long to
517finish. The story was enganging, and the continual switching between
518the 1940s and present day slowly unravelled the tale in a nice way.</p>
519
520<p>I'd still have to recommend <em>Snow Crash</em> if one wished to read only one
521Stephenson novel.</p>
522
523
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b61362db 551<p class="cke-footer"> So play today
552 Go make your hay beneath a warm sun shining
553 But bear in mind one day you'll find the silver cloud's dark lining
023ad63c 554</p>
555<p class="cke-timestamp">Last Modified:
b61362db 556 September 23, 2008</p>
023ad63c 557 </body>
558</html>